Archive for June 2010:

From the Archive #7: Contest Winner for “Patterns”

Symmetry Library Photo

This week I wanted to share another monotone photograph that was taken back in college. At that time, there were active weekly contests on the AccessPhoto.com forums, each with a theme to guide the entries. The theme for that particular week was “patterns,” so I decided to head over to the library’s stacks to see what I could come up with. I brought along what was at the time my brand new Canon EF 85mm f1.8 lens to give it a thorough testing in different conditions also. Happily, both the lens and the photograph that it produced were well accepted. It is a lens that I continue to use often today, especially in low light conditions such as concerts.

The above image was originally shot in color, but like the sunset I felt it just worked better in this blue tone. All of the books were different colors, easily distracting ones eye to bounce around from place to place. In the singular tone, it is simplified into the light and dark contrasts, and helps the eye not get so lost with one single focal point in order to take in the whole image.

If you have not done so, give monotone colors like this a try on some of your own photographs. Save it as a different file name, and look at both back to back. You might be surprised what it can do to the feel of the image!

From the Archive #6: A Monochrome Sunset

With all the work surrounding the recent Formula Drift event at Wall, NJ, I didn’t have time to post a ‘From the Archive’ yesterday as planned. So, a day belated, here is a shot from my time at Bates College in Lewiston, Maine. I haven’t shot many sunsets with the intention of using them in black and white. Generally, sunsets have such vibrant colors that it seems like a shame to hide them. On this occasion, I set out to capture one, but the angle of the sun and the light just wasn’t cooperating as planned. I didn’t want to give up outright on the photograph though, and gave this monochrome look a try. I like the way that it brought out the texture of the clouds surrounding the sun as it descended, a texture that was otherwise invisible in the original image.